A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 125
... phantasy is also such a reservation reclaimed from the encroach- ments of the reality - principle . The best - known productions of phantasy have already been met by us ; they are called daydreams , and are imaginary gratifications of ...
... phantasy is also such a reservation reclaimed from the encroach- ments of the reality - principle . The best - known productions of phantasy have already been met by us ; they are called daydreams , and are imaginary gratifications of ...
Pagina 126
... phantasy ; the intermediate world of phantasy is sanctioned by general human consent , and every hungry soul looks to it for comfort and consolation . But to those who are not artists the gratification that can be drawn from the springs ...
... phantasy ; the intermediate world of phantasy is sanctioned by general human consent , and every hungry soul looks to it for comfort and consolation . But to those who are not artists the gratification that can be drawn from the springs ...
Pagina 129
... phantasy at one and the same moment hovers between three periods of time - the three periods of our ideation . The activity of phantasy in the mind is linked up with some current impression , occasioned by some event in the present ...
... phantasy at one and the same moment hovers between three periods of time - the three periods of our ideation . The activity of phantasy in the mind is linked up with some current impression , occasioned by some event in the present ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision