A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 535
... Philosophy Proceedings of the Aristotelian Society Philosophical Review Philosophy and Phenomenological Research ANTHOLOGIES 11 I. JAAC BJA J. Phil . PAS Phil . R. Phil . and Phen . Res . BIBLIOGRAPHICAL SOURCES Albert , Ethel M. , and ...
... Philosophy Proceedings of the Aristotelian Society Philosophical Review Philosophy and Phenomenological Research ANTHOLOGIES 11 I. JAAC BJA J. Phil . PAS Phil . R. Phil . and Phen . Res . BIBLIOGRAPHICAL SOURCES Albert , Ethel M. , and ...
Pagina 540
... Philosophy 33 ( 1958 ) . The Later Philosophy of R. G. Collingwood , Oxford : Clarendon Press , 1962 . Ducasse , C. J. , The Philosophy of Art , 2d ed . , New York : Dover , 1963 , Chap . 3 . Gilbert , Katherine E. , " The One and the ...
... Philosophy 33 ( 1958 ) . The Later Philosophy of R. G. Collingwood , Oxford : Clarendon Press , 1962 . Ducasse , C. J. , The Philosophy of Art , 2d ed . , New York : Dover , 1963 , Chap . 3 . Gilbert , Katherine E. , " The One and the ...
Pagina 549
... Philosophy of Struc- tures , Berkeley : University of California Press , 1965 . Veblen , Thorstein , The Instinct of Work- manship and the State of the Industrial Arts , New York : Macmillan , 1914 . Wind , Edgar , Art and Anarchy , New ...
... Philosophy of Struc- tures , Berkeley : University of California Press , 1965 . Veblen , Thorstein , The Instinct of Work- manship and the State of the Industrial Arts , New York : Macmillan , 1914 . Wind , Edgar , Art and Anarchy , New ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision