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Pagina 76
Thus physical facts reveal themselves, by their internal logic and by common
consent, not as reality, but as a construction of our intellect for the purposes of
science. Consequently, the question whether art be a physical fact must rationally
...
Thus physical facts reveal themselves, by their internal logic and by common
consent, not as reality, but as a construction of our intellect for the purposes of
science. Consequently, the question whether art be a physical fact must rationally
...
Pagina 203
According to the idealistic interpretation, the work of art is not physical but
spiritual. For example, Croce maintained that the physical objects — the statue,
the building, the printed poem, and so forth — are not to be confused with art.
They are ...
According to the idealistic interpretation, the work of art is not physical but
spiritual. For example, Croce maintained that the physical objects — the statue,
the building, the printed poem, and so forth — are not to be confused with art.
They are ...
Pagina 400
Aesthetic attention is always to the phenomenal object, not to the physical object
(Monroe C. Beardsley, Aesthetics, Ch. 1). Without the presence of a physical
object, such as paint on canvas, we would not of course perceive any painting,
but ...
Aesthetic attention is always to the phenomenal object, not to the physical object
(Monroe C. Beardsley, Aesthetics, Ch. 1). Without the presence of a physical
object, such as paint on canvas, we would not of course perceive any painting,
but ...
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Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract action activity appear appreciation artist associations beauty become called character characteristic color common complete concept consciousness created criticism defined definition desire direct Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling function give Greek hand human ideas imagination important individual interest intuition kind knowledge language less lines live look material matter means merely mind moral movement nature never object observe organization original painting particular perceived perception person philosophical physical picture play pleasure poem poet poetry possible practical present principle problem produce pure question reality reason reference relation seems sense shape significance similar simply social sound speak structure style symbol theory things thought tion true truth understand unity whole wish
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