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Pagina 37
How far the picture that formed in his mind corresponded to or deviated from the
photograph it is even less profitable to ask. What we do know is that these artists
went out into nature to look for material for a picture and their artistic wisdom led ...
How far the picture that formed in his mind corresponded to or deviated from the
photograph it is even less profitable to ask. What we do know is that these artists
went out into nature to look for material for a picture and their artistic wisdom led ...
Pagina 38
Even in scientific illustrations it is the caption which determines the truth of the
picture. In a cause celebre of the last century, the embryo of a pig, labeled as a
human embryo to prove a theory of evolution, brought about the downfall of a
great ...
Even in scientific illustrations it is the caption which determines the truth of the
picture. In a cause celebre of the last century, the embryo of a pig, labeled as a
human embryo to prove a theory of evolution, brought about the downfall of a
great ...
Pagina 460
Suppose we think of a picture, say El Greco's "Toledo" in the Metropolitan
Museum. The physical picture has had a long continuous history since El Greco
laid the pigments on the canvas. And, supposing I am the spectator, so have I as
an ...
Suppose we think of a picture, say El Greco's "Toledo" in the Metropolitan
Museum. The physical picture has had a long continuous history since El Greco
laid the pigments on the canvas. And, supposing I am the spectator, so have I as
an ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 4, illustrata |
| Editore | Holt, Rinehart and Winston, 1973 |
| ISBN | 0030017564, 9780030017568 |
| Lunghezza | 568 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |