A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 216
... pitch , and every distinct pitch is either above or below any other pitch that we may choose . Thus all sounds are related in a single order , every sound to every other sound . We might simply say that sounds are pitch - related . But ...
... pitch , and every distinct pitch is either above or below any other pitch that we may choose . Thus all sounds are related in a single order , every sound to every other sound . We might simply say that sounds are pitch - related . But ...
Pagina 217
... pitch ; and to be at a particular pitch is to be at a point fixed in the single series of all the pitches that there are . The important fact for esthetics is not merely that a musical sound has its particular place in the single order ...
... pitch ; and to be at a particular pitch is to be at a point fixed in the single series of all the pitches that there are . The important fact for esthetics is not merely that a musical sound has its particular place in the single order ...
Pagina 222
... pitch or timbre ; and spatial and temporal structures can appear only as qualitied . We keep " quality " as a term ... pitch and lies in the pitch order , as every color has brightness and saturation and hue and lies in these orders ...
... pitch or timbre ; and spatial and temporal structures can appear only as qualitied . We keep " quality " as a term ... pitch and lies in the pitch order , as every color has brightness and saturation and hue and lies in these orders ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision