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Pagina 127
The child's best-loved and most absorbing occupation is play. Perhaps we may
say that every child at play behaves like an imaginative writer, in that he creates a
world of his own or, more truly, he rearranges the things of his world and orders ...
The child's best-loved and most absorbing occupation is play. Perhaps we may
say that every child at play behaves like an imaginative writer, in that he creates a
world of his own or, more truly, he rearranges the things of his world and orders ...
Pagina 128
So when the human being grows up and ceases to play he only gives up the
connection with real objects; instead of playing he then begins to create phantasy
. He builds castles in the air and creates what are called daydreams. I believe
that ...
So when the human being grows up and ceases to play he only gives up the
connection with real objects; instead of playing he then begins to create phantasy
. He builds castles in the air and creates what are called daydreams. I believe
that ...
Pagina 468
From the compulsion of want, or physical earnestness, she makes the transition
via the compulsion of superfluity, or physical play, to aesthetic play; and before
she soars, in the sublime freedom of beauty, beyond the fetters of ends and ...
From the compulsion of want, or physical earnestness, she makes the transition
via the compulsion of superfluity, or physical play, to aesthetic play; and before
she soars, in the sublime freedom of beauty, beyond the fetters of ends and ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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A Question of Balance: Charles Seeger's Philosophy of Music Taylor Aitken Greer Anteprima limitata - 1998 |
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 4, illustrata |
| Editore | Holt, Rinehart and Winston, 1973 |
| ISBN | 0030017564, 9780030017568 |
| Lunghezza | 568 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |