A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 93
Pagina 127
... play very seriously and expends a great deal of emotion on it . The opposite of play is not serious occupation but- reality . Notwithstanding the large affective cathexis1 of his play - world , the child distinguishes it perfectly from ...
... play very seriously and expends a great deal of emotion on it . The opposite of play is not serious occupation but- reality . Notwithstanding the large affective cathexis1 of his play - world , the child distinguishes it perfectly from ...
Pagina 128
... play of children . Children do , it is true , play alone , or form with other chil- dren a closed world in their minds for the purposes of play ; but a child does not conceal his play from adults , even though his playing is quite ...
... play of children . Children do , it is true , play alone , or form with other chil- dren a closed world in their minds for the purposes of play ; but a child does not conceal his play from adults , even though his playing is quite ...
Pagina 181
... play , because they are spontaneous , and not carried on under pressure of external necessity or danger . Their utility for self - preservation may be very indirect and accidental , but they are not worthless for that reason . On the ...
... play , because they are spontaneous , and not carried on under pressure of external necessity or danger . Their utility for self - preservation may be very indirect and accidental , but they are not worthless for that reason . On the ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision