A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 240
... poem than I do for a set of non- sense verses ; and I do not believe that the authors of Hamlet and Crossing the Bar regarded their poems thus . " These antitheses of subject , matter , substance on the one side , form , treatment ...
... poem than I do for a set of non- sense verses ; and I do not believe that the authors of Hamlet and Crossing the Bar regarded their poems thus . " These antitheses of subject , matter , substance on the one side , form , treatment ...
Pagina 242
... poem on it ; but then we should say he was unworthy of the subject . And we should not say this if he wrote a bad poem on a pin's head . Conversely , a good poem on a pin's head would almost certainly transform its subject far more than ...
... poem on it ; but then we should say he was unworthy of the subject . And we should not say this if he wrote a bad poem on a pin's head . Conversely , a good poem on a pin's head would almost certainly transform its subject far more than ...
Pagina 244
... poem the true content and the true form neither exist nor can be imagined apart . When then you are asked whether the value of a poem lies in a substance got by decomposing the poem , and present , as such , only in reflective analysis ...
... poem the true content and the true form neither exist nor can be imagined apart . When then you are asked whether the value of a poem lies in a substance got by decomposing the poem , and present , as such , only in reflective analysis ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision