A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 92
Pagina 96
... poet's expression of his , the poet's , emotions , he is expressing emotions of his own in the poet's words , which have thus become his own words . As Coleridge put it , we know a man for a poet by the fact that he makes us poets . We ...
... poet's expression of his , the poet's , emotions , he is expressing emotions of his own in the poet's words , which have thus become his own words . As Coleridge put it , we know a man for a poet by the fact that he makes us poets . We ...
Pagina 143
... poet and mathematician , contrasted with the looser speech permitted to the biologist or novelist . We have seen that music is an extreme kind of poetry , that just as mathematics escapes almost altogether from the subjective qualities ...
... poet and mathematician , contrasted with the looser speech permitted to the biologist or novelist . We have seen that music is an extreme kind of poetry , that just as mathematics escapes almost altogether from the subjective qualities ...
Pagina 148
... poet , in spite of his conventional piece of reality , may achieve a new affective tone . Old poets we shall judge almost entirely by their affective tone ; their manifest contents have long belonged to our world of thought . Hence the ...
... poet , in spite of his conventional piece of reality , may achieve a new affective tone . Old poets we shall judge almost entirely by their affective tone ; their manifest contents have long belonged to our world of thought . Hence the ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision