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Pagina 137
Poetic irrationality bears this resemblance to dream, that its flow of images is
explained by affective laws; but it is not "free" ... for the god in the first person, so
the reader under the influence of poetic illusion feels for the poet in the first
person.
Poetic irrationality bears this resemblance to dream, that its flow of images is
explained by affective laws; but it is not "free" ... for the god in the first person, so
the reader under the influence of poetic illusion feels for the poet in the first
person.
Pagina 143
Thus we see in the technical differences of poetry and the novel the difference
between changelessness and change, space ... symbol — both to poet and
mathematician, contrasted with the looser speech permitted to the biologist or
novelist.
Thus we see in the technical differences of poetry and the novel the difference
between changelessness and change, space ... symbol — both to poet and
mathematician, contrasted with the looser speech permitted to the biologist or
novelist.
Pagina 148
Hence the adaptive value of poetry. It is like a real emotional experience. It is
plain that poetry may be judged in different ways; either by the importance of the
manifest content, or by the vividness of the affective coloring. To a poet who
brings a ...
Hence the adaptive value of poetry. It is like a real emotional experience. It is
plain that poetry may be judged in different ways; either by the importance of the
manifest content, or by the vividness of the affective coloring. To a poet who
brings a ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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