A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 93
Pagina 137
... poetry lives in the words of the poetry , without reference to the external world . The poet's world is his world . As he reads the poem he feels the emotions of the poet . Just as the pythoness or bacchante speaks for the god in the ...
... poetry lives in the words of the poetry , without reference to the external world . The poet's world is his world . As he reads the poem he feels the emotions of the poet . Just as the pythoness or bacchante speaks for the god in the ...
Pagina 143
... poetry ) escapes almost altogether from the objec- tive references of sounds . Therefore the musician is even preciser in his language than the poet , and the affective laws of music's symbols are as careful and minute as are the ...
... poetry ) escapes almost altogether from the objec- tive references of sounds . Therefore the musician is even preciser in his language than the poet , and the affective laws of music's symbols are as careful and minute as are the ...
Pagina 148
... poetry may be judged in different ways ; either by the importance of the manifest content , or by the vividness of the affective coloring . To a poet who brings a new portion of external reality into the ambit of poetry , we feel more ...
... poetry may be judged in different ways ; either by the importance of the manifest content , or by the vividness of the affective coloring . To a poet who brings a new portion of external reality into the ambit of poetry , we feel more ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision