A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 92
Pagina 137
... poet's world is his world . As he reads the poem he feels the emotions of the poet . Just as the pythoness or bacchante speaks for the god in the first person , so the reader under the influence of poetic illusion feels for the poet in ...
... poet's world is his world . As he reads the poem he feels the emotions of the poet . Just as the pythoness or bacchante speaks for the god in the first person , so the reader under the influence of poetic illusion feels for the poet in ...
Pagina 238
... poetic value is this intrinsic worth alone . Poetry may have also an ulterior value as a means to culture or religion ; because it conveys instruc- tions , or softens the passions , or furthers a good cause ; because it brings the poet ...
... poetic value is this intrinsic worth alone . Poetry may have also an ulterior value as a means to culture or religion ; because it conveys instruc- tions , or softens the passions , or furthers a good cause ; because it brings the poet ...
Pagina 245
... poetic experience , in order to enrich it by forming such a product and dwelling on it . Nor , in a wide sense of ' poetic , ' do I question the poetic value of this product , as you think of it apart from the poem . It resembles our ...
... poetic experience , in order to enrich it by forming such a product and dwelling on it . Nor , in a wide sense of ' poetic , ' do I question the poetic value of this product , as you think of it apart from the poem . It resembles our ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision