A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 66
Pagina 370
... practical interest snaps like a wire from sheer over - tension , and we watch the consummation of some impending catastrophe with the marveling unconcern of a mere spectator . It is a difference of outlook , due - if such a metaphor is ...
... practical interest snaps like a wire from sheer over - tension , and we watch the consummation of some impending catastrophe with the marveling unconcern of a mere spectator . It is a difference of outlook , due - if such a metaphor is ...
Pagina 450
... practical activity in achieving goals ; and ( 3 ) analysis . Habit simply dulls experience and reduces it to routine . Practical activity ordinarily drains off vividness of quality by its urgency to attain its goal , or by producing a ...
... practical activity in achieving goals ; and ( 3 ) analysis . Habit simply dulls experience and reduces it to routine . Practical activity ordinarily drains off vividness of quality by its urgency to attain its goal , or by producing a ...
Pagina 457
... practical activity in achieving goals ; and ( 3 ) analysis . Habit simply dulls experience and reduces it to routine . Practical activity ordinarily drains off vividness of quality by its urgency to attain its goal , or by producing a ...
... practical activity in achieving goals ; and ( 3 ) analysis . Habit simply dulls experience and reduces it to routine . Practical activity ordinarily drains off vividness of quality by its urgency to attain its goal , or by producing a ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision