Dall'interno del libro
Risultati 1-3 di 80
Pagina 129
So past, present, and future are threaded, as it were, on the string of the wish that
runs through them all. A very ordinary example may serve to make my statement
clear. Take the case of a poor orphan lad, to whom you have given the address ...
So past, present, and future are threaded, as it were, on the string of the wish that
runs through them all. A very ordinary example may serve to make my statement
clear. Take the case of a poor orphan lad, to whom you have given the address ...
Pagina 132
I am aware of that, and will try to excuse myself by pointing to the present state of
our knowledge. I could only throw out suggestions and bring up interesting points
which arise from the study of phantasies, and which pass beyond them to the ...
I am aware of that, and will try to excuse myself by pointing to the present state of
our knowledge. I could only throw out suggestions and bring up interesting points
which arise from the study of phantasies, and which pass beyond them to the ...
Pagina 187
clearly and spontaneously attribute our emotion to the memory and not to the
present fact which it beautifies. The revival of a pleasure and its embodiment in a
present object which in itself might have been indifferent, is here patent and ...
clearly and spontaneously attribute our emotion to the memory and not to the
present fact which it beautifies. The revival of a pleasure and its embodiment in a
present object which in itself might have been indifferent, is here patent and ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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