A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 187
... present fact which it beautifies . The revival of a pleasure and its embodiment in a present object which in itself might have been indiffer- ent , is here patent and acknowledged . The distinctness of the analysis may indeed be so ...
... present fact which it beautifies . The revival of a pleasure and its embodiment in a present object which in itself might have been indiffer- ent , is here patent and acknowledged . The distinctness of the analysis may indeed be so ...
Pagina 350
... present here is felt . " And again : “ Emotion knows the difference even though mind is defeated in its busy effort ... present . " In practical life present experience is subordinated to the future and the past . Whenever we are ...
... present here is felt . " And again : “ Emotion knows the difference even though mind is defeated in its busy effort ... present . " In practical life present experience is subordinated to the future and the past . Whenever we are ...
Pagina 517
... present , if there were no criteria present for recognizing something as a work of art , we would not describe it as one . But , even so , no one of these or any collection of them is either necessary or sufficient . The elucidation of ...
... present , if there were no criteria present for recognizing something as a work of art , we would not describe it as one . But , even so , no one of these or any collection of them is either necessary or sufficient . The elucidation of ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision