Dall'interno del libro
Risultati 1-3 di 88
Pagina 226
All other principles of form — theme, thematic variation, balance, rhythm,
hierarchy, and evolution — serve this one ... It is not the formal identity of the
good and the beautiful but of the beautiful and the useful that is the leading
principle of the ...
All other principles of form — theme, thematic variation, balance, rhythm,
hierarchy, and evolution — serve this one ... It is not the formal identity of the
good and the beautiful but of the beautiful and the useful that is the leading
principle of the ...
Pagina 250
These principles are, I think, very few; as few, indeed, as six: the principle of
organic unity, or unity in variety, as it has been called; the principle of the theme;
the principle of thematic variation; balance; the principle of hierarchy; and
evolution.
These principles are, I think, very few; as few, indeed, as six: the principle of
organic unity, or unity in variety, as it has been called; the principle of the theme;
the principle of thematic variation; balance; the principle of hierarchy; and
evolution.
Pagina 307
It is necessary, I feel, to draw a careful distinction between the psychological
principles of association and the purely ... Some of their successors, unfortunately
, are more literal minded, often substituting a materialistic principle of repetition
for ...
It is necessary, I feel, to draw a careful distinction between the psychological
principles of association and the purely ... Some of their successors, unfortunately
, are more literal minded, often substituting a materialistic principle of repetition
for ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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A Question of Balance: Charles Seeger's Philosophy of Music Taylor Aitken Greer Anteprima limitata - 1998 |
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 4, illustrata |
| Editore | Holt, Rinehart and Winston, 1973 |
| ISBN | 0030017564, 9780030017568 |
| Lunghezza | 568 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |