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Pagina 226
A substantially similar point of view is expressed by DeWitt Henry Parker (1885-
1949), professor of philosophy at the University of Michigan, who contends that
the all-embracing principle of form — its very essence and meaning — is organic
...
A substantially similar point of view is expressed by DeWitt Henry Parker (1885-
1949), professor of philosophy at the University of Michigan, who contends that
the all-embracing principle of form — its very essence and meaning — is organic
...
Pagina 250
DEWITT H. PARKER The Problem of Esthetic Form I shall try to reduce the
general characteristics of esthetic form to their simplest principles, hoping to
provide the elements of what might be called a logic of esthetic form. These
principles are, I ...
DEWITT H. PARKER The Problem of Esthetic Form I shall try to reduce the
general characteristics of esthetic form to their simplest principles, hoping to
provide the elements of what might be called a logic of esthetic form. These
principles are, I ...
Pagina 307
It is necessary, I feel, to draw a careful distinction between the psychological
principles of association and the purely material one of repetition, even though
the former so often takes shape as the latter in its most literal sense. The classic ...
It is necessary, I feel, to draw a careful distinction between the psychological
principles of association and the purely material one of repetition, even though
the former so often takes shape as the latter in its most literal sense. The classic ...
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Indice
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 4, illustrata |
| Editore | Holt, Rinehart and Winston, 1973 |
| ISBN | 0030017564, 9780030017568 |
| Lunghezza | 568 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |