A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 375
... problem plays " and " problem novels " in which the public have persisted in seeing nothing but a supposed " problem " of the moment , whereas the author may have been -and often has demonstrably been - able to distance the subject ...
... problem plays " and " problem novels " in which the public have persisted in seeing nothing but a supposed " problem " of the moment , whereas the author may have been -and often has demonstrably been - able to distance the subject ...
Pagina 446
... problem , then , is this : Do critical reasons have a kind of generality of application , so that it makes sense to try to formulate principles of criticism ? I believe they do . Mr. Kennick , like a number of other recent writers ...
... problem , then , is this : Do critical reasons have a kind of generality of application , so that it makes sense to try to formulate principles of criticism ? I believe they do . Mr. Kennick , like a number of other recent writers ...
Pagina 532
... problem in " Something Common ' , " Journal of Philosophy , vol . 59 ( 1962 ) , pp . 821-830 . He speaks of what he calls " the Problem of Wide - Open Texture , " and says : “ the no- tion of family resemblances may account for our ...
... problem in " Something Common ' , " Journal of Philosophy , vol . 59 ( 1962 ) , pp . 821-830 . He speaks of what he calls " the Problem of Wide - Open Texture , " and says : “ the no- tion of family resemblances may account for our ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision