Dall'interno del libro
Risultati 1-3 di 90
Pagina 93
However accurately defined it may be, it is always defined as the production of a
thing having characteristics that could be ... A physician treating a patient for a
certain complaint is trying to produce in him a condition which might be, and ...
However accurately defined it may be, it is always defined as the production of a
thing having characteristics that could be ... A physician treating a patient for a
certain complaint is trying to produce in him a condition which might be, and ...
Pagina 214
Rather he must learn the kind of negative necessary to produce a given kind of
print, and then the kind of exposure and development necessary to produce that
negative. When he knows how these needs are fulfilled for one kind of print, ...
Rather he must learn the kind of negative necessary to produce a given kind of
print, and then the kind of exposure and development necessary to produce that
negative. When he knows how these needs are fulfilled for one kind of print, ...
Pagina 475
ALIENATED LABOR AND FREE PRODUCTION Since alienated labour: (1)
alienates nature from man; and (2) alienates man from himself, from his own
active function, his life activity; so it alienates him from the species. It makes
species-life ...
ALIENATED LABOR AND FREE PRODUCTION Since alienated labour: (1)
alienates nature from man; and (2) alienates man from himself, from his own
active function, his life activity; so it alienates him from the species. It makes
species-life ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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