A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 475
... produce only under the compulsion of direct physical needs , while man produces when he is free from physical need and only truly produces in freedom from such need . Animals produce only themselves , while man reproduces the whole of ...
... produce only under the compulsion of direct physical needs , while man produces when he is free from physical need and only truly produces in freedom from such need . Animals produce only themselves , while man reproduces the whole of ...
Pagina 462
... produce only under the compulsion of direct physical needs , while man produces when he is free from physical need and only truly produces in freedom from such need . Animals produce only themselves , while man reproduces the whole of ...
... produce only under the compulsion of direct physical needs , while man produces when he is free from physical need and only truly produces in freedom from such need . Animals produce only themselves , while man reproduces the whole of ...
Pagina 490
... produced through the machine : they even pointed to the fact that it had been produced . The first ex- pression of Cubism indeed dates back to the seventeenth century : Jean Baptiste Bracelle , in 1624 , did a series of Bizarreries ...
... produced through the machine : they even pointed to the fact that it had been produced . The first ex- pression of Cubism indeed dates back to the seventeenth century : Jean Baptiste Bracelle , in 1624 , did a series of Bizarreries ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision