A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 283
... psychology , his recognition of the similarity between tonal structures and psychological patterns is akin to the insights of the Gestalt psychologists . A more explicit appeal to Gestalt principles occurs in the writings of Rudolf ...
... psychology , his recognition of the similarity between tonal structures and psychological patterns is akin to the insights of the Gestalt psychologists . A more explicit appeal to Gestalt principles occurs in the writings of Rudolf ...
Pagina 332
... psychology of anger is to try to ascertain the meaning of anger , to ask oneself how it functions in human life and what purpose it serves . So we find that emotion is , as Janet said , a disorganizing reaction which comes into play ...
... psychology of anger is to try to ascertain the meaning of anger , to ask oneself how it functions in human life and what purpose it serves . So we find that emotion is , as Janet said , a disorganizing reaction which comes into play ...
Pagina 538
... Psychology , Monograph Supplement , III , 1927 . Hepburn , Ronald , " Poetry and ' Concrete Imagination ' : Problems of Truth and Illusion , " BJA 12 ( 1972 ) . Ishiguro , Hideko , " Imagination , " in Ber- nard Williams and Alan ...
... Psychology , Monograph Supplement , III , 1927 . Hepburn , Ronald , " Poetry and ' Concrete Imagination ' : Problems of Truth and Illusion , " BJA 12 ( 1972 ) . Ishiguro , Hideko , " Imagination , " in Ber- nard Williams and Alan ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision