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Pagina 233
You will notice that people who cannot feel pure esthetic emotions remember
pictures by their subjects; whereas people who can, as often as not. have no idea
what the subject of a picture is. They have never noticed the representative ...
You will notice that people who cannot feel pure esthetic emotions remember
pictures by their subjects; whereas people who can, as often as not. have no idea
what the subject of a picture is. They have never noticed the representative ...
Pagina 234
If they cannot grasp musical form and win from it a pure esthetic emotion, they
confess that they understand music imperfectly or not at all. They recognize quite
clearly that there is a difference between the feeling of the musician for pure
music ...
If they cannot grasp musical form and win from it a pure esthetic emotion, they
confess that they understand music imperfectly or not at all. They recognize quite
clearly that there is a difference between the feeling of the musician for pure
music ...
Pagina 236
It is for, or at any rate through, pure form that he feels his inspired emotion. Now
to see objects as pure forms is to see them as ends in themselves. For though, of
course, forms are related to each other as parts of a whole, they are related on ...
It is for, or at any rate through, pure form that he feels his inspired emotion. Now
to see objects as pure forms is to see them as ends in themselves. For though, of
course, forms are related to each other as parts of a whole, they are related on ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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