A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 80
... pure examples of these errors in any of these authors and in the others that might be mentioned , because error is never pure , for if it were so , it would be truth .... But doubt springs up at the feet of truth , " like a young shoot ...
... pure examples of these errors in any of these authors and in the others that might be mentioned , because error is never pure , for if it were so , it would be truth .... But doubt springs up at the feet of truth , " like a young shoot ...
Pagina 233
... pure esthetic emotions remem- ber pictures by their subjects ; whereas people who can , as often as not , have no idea what the subject of a picture is . They have never noticed the repre- sentative element , and so when they discuss ...
... pure esthetic emotions remem- ber pictures by their subjects ; whereas people who can , as often as not , have no idea what the subject of a picture is . They have never noticed the repre- sentative element , and so when they discuss ...
Pagina 236
... pure forms . It is for , or at any rate through , pure form that he feels his inspired emotion . Now to see objects as pure forms is to see them as ends in themselves . For though , of course , forms are related to each other as parts ...
... pure forms . It is for , or at any rate through , pure form that he feels his inspired emotion . Now to see objects as pure forms is to see them as ends in themselves . For though , of course , forms are related to each other as parts ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision