A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 340
... qualities of physical things in external space nor as " subjective qualities in and of the native organism of the subject " ( he calls this passing from the practical to the aesthetic attitude ) , we experience secondary ( emotional ) ...
... qualities of physical things in external space nor as " subjective qualities in and of the native organism of the subject " ( he calls this passing from the practical to the aesthetic attitude ) , we experience secondary ( emotional ) ...
Pagina 345
... qualities of things beyond the ordinary needs of daily living that the more recondite perceptual qualities , those which transcend the ingenuity of descriptive linguistic devices , obtrude into awareness first as feeling tone ; only as ...
... qualities of things beyond the ordinary needs of daily living that the more recondite perceptual qualities , those which transcend the ingenuity of descriptive linguistic devices , obtrude into awareness first as feeling tone ; only as ...
Pagina 346
... qualities . 3. The recondite sensory qualities merge without any sharp dividing line into the intersensory qualities , and there is no fixed boundary between the latter and emotional qualities.13 Whether such terms as serene , pomp- ous ...
... qualities . 3. The recondite sensory qualities merge without any sharp dividing line into the intersensory qualities , and there is no fixed boundary between the latter and emotional qualities.13 Whether such terms as serene , pomp- ous ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision