A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 194
... question " What does art em- body ? " is the wrong question . Looked at from within , the short answer is that what art embodies , what it means , cannot be stated in words at all . Even if the art is an art of words , as poetry is , a ...
... question " What does art em- body ? " is the wrong question . Looked at from within , the short answer is that what art embodies , what it means , cannot be stated in words at all . Even if the art is an art of words , as poetry is , a ...
Pagina 244
... question in which of them does the value lie is intelligible ; and its answer is , In the poem . We have next a distinction of substance and form . If the subtance means ideas , images , and the like taken alone , and the form means the ...
... question in which of them does the value lie is intelligible ; and its answer is , In the poem . We have next a distinction of substance and form . If the subtance means ideas , images , and the like taken alone , and the form means the ...
Pagina 411
... questions of this kind , the answers they give are almost invari- ably answers to a quite different kind of question , viz . " What does this line contribute to the painting ? " or " What does this character contribute to the play ...
... questions of this kind , the answers they give are almost invari- ably answers to a quite different kind of question , viz . " What does this line contribute to the painting ? " or " What does this character contribute to the play ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision