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Pagina 138
rational connection, that is, no nexus through the world of external reality. It
breaks the words up into lines of arbitrary length, cutting across their logical
construction. It breaks down their associations, derived from the world of external
reality, ...
rational connection, that is, no nexus through the world of external reality. It
breaks the words up into lines of arbitrary length, cutting across their logical
construction. It breaks down their associations, derived from the world of external
reality, ...
Pagina 146
The answer is, because poetry is an adaptation to external reality. It is an
emotional attitude towards the world. It is made of language and language was
created to signify otherness, to indicate portions of objective reality shared
socially.
The answer is, because poetry is an adaptation to external reality. It is an
emotional attitude towards the world. It is made of language and language was
created to signify otherness, to indicate portions of objective reality shared
socially.
Pagina 148
To a poet who brings a new portion of external reality into the ambit of poetry, we
feel more gratitude than to one who brings the old stale manifest contents. But the
first poet may be poor in the affective coloring with which he soaks his piece of ...
To a poet who brings a new portion of external reality into the ambit of poetry, we
feel more gratitude than to one who brings the old stale manifest contents. But the
first poet may be poor in the affective coloring with which he soaks his piece of ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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