A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 138
... reality , by means of inversion and every variety of artificial stressing and counterpoint . Thus the world of external reality recedes , and the world of instinct , the affective emotional linkage behind the words , rises to the view ...
... reality , by means of inversion and every variety of artificial stressing and counterpoint . Thus the world of external reality recedes , and the world of instinct , the affective emotional linkage behind the words , rises to the view ...
Pagina 146
... reality . The man- ifest content is symbolic of a certain piece of external reality — be it scene , problem , thought , event . And the emotional content is attached to this statement of reality , not in actual experience but in the ...
... reality . The man- ifest content is symbolic of a certain piece of external reality — be it scene , problem , thought , event . And the emotional content is attached to this statement of reality , not in actual experience but in the ...
Pagina 148
... reality into the ambit of poetry , we feel more gratitude than to one who brings the old stale manifest contents . But the first poet may be poor in the affective coloring with which he soaks his piece of reality . It may be the old ...
... reality into the ambit of poetry , we feel more gratitude than to one who brings the old stale manifest contents . But the first poet may be poor in the affective coloring with which he soaks his piece of reality . It may be the old ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision