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Pagina 123
This reference , like subsequent references to the same work , is Nietzsche's own and refers to the edition of 1873 edited by Julius Frauenstädt — still one of the standard editions of Schopenhauer's works . 8.
This reference , like subsequent references to the same work , is Nietzsche's own and refers to the edition of 1873 edited by Julius Frauenstädt — still one of the standard editions of Schopenhauer's works . 8.
Pagina 282
But resemblance is not reference , and in the moment of esthetic vision , any sense of reference is superseded by the ... word “ symbol ” is almost always used to denote reference , the work of art is a " symbol 282 Expressiveness.
But resemblance is not reference , and in the moment of esthetic vision , any sense of reference is superseded by the ... word “ symbol ” is almost always used to denote reference , the work of art is a " symbol 282 Expressiveness.
Pagina 303
To this end points of reference are necessary ; suffice it to say that each new development in music has created , on a convincing psychological basis , its own points of reference . Without them , music would hardly be possible .
To this end points of reference are necessary ; suffice it to say that each new development in music has created , on a convincing psychological basis , its own points of reference . Without them , music would hardly be possible .
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Sommario
THE MEANING OF ART | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract activity appear appreciation artist association beauty become body called character characteristic color common complete concept consider created criticism defined definition desire direct Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression fact feeling forces function give Greek hand human ideas imagination imitation important individual interest intuition kind language less lines living look material matter means merely mind movement nature necessary never object observe organic original painting particular pattern perceived perception person philosophical physical picture play pleasure poem poetry possible practical present principle problem produce pure question reality reason reference relation seems sense shape significance similar simply situation social sound speak structure style symbol theory things thought tion true truth understand unity whole