A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 57
Pagina 5
... represented by the different points of view . Art , like every creative enterprise , is fluid and " open , " and no tight definition will serve . But it is well to try to define what we are concerned with in this book - otherwise our ...
... represented by the different points of view . Art , like every creative enterprise , is fluid and " open , " and no tight definition will serve . But it is well to try to define what we are concerned with in this book - otherwise our ...
Pagina 198
... represented . Tennyson felt about the event of the charge of the Light Brigade . He " expressed " not his own ... representing the Charge in a particu- lar rhythmical form . The painter , excited by the springing tree , does not ...
... represented . Tennyson felt about the event of the charge of the Light Brigade . He " expressed " not his own ... representing the Charge in a particu- lar rhythmical form . The painter , excited by the springing tree , does not ...
Pagina 369
... represented spatial distance , that is , the distance represented within the work . Less obvious , more metaphorical , is the meaning of temporal dis- tance . The first was noticed already by Aristotle in his Poetics ; the second has ...
... represented spatial distance , that is , the distance represented within the work . Less obvious , more metaphorical , is the meaning of temporal dis- tance . The first was noticed already by Aristotle in his Poetics ; the second has ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision