A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 69
Pagina 198
... represented . Tennyson felt about the event of the charge of the Light Brigade . He " expressed " not his own strictly ... represents facts or ideas only , is that they can condone dull uninspired - literalism which is not art but poor ...
... represented . Tennyson felt about the event of the charge of the Light Brigade . He " expressed " not his own strictly ... represents facts or ideas only , is that they can condone dull uninspired - literalism which is not art but poor ...
Pagina 289
... represent some other whole whose ele- ments have analogous relations . The reason for using such a form as a symbol is usually that the thing it represents is not perceivable or readily imaginable . We cannot see the earth as an object ...
... represent some other whole whose ele- ments have analogous relations . The reason for using such a form as a symbol is usually that the thing it represents is not perceivable or readily imaginable . We cannot see the earth as an object ...
Pagina 367
... represents at bottom an impulse to self - privation , will be all the more incomprehensible to us at first glance since we still have ringing in our ears that formula : " Esthetic enjoyment is objectified self - enjoyment . " For these ...
... represents at bottom an impulse to self - privation , will be all the more incomprehensible to us at first glance since we still have ringing in our ears that formula : " Esthetic enjoyment is objectified self - enjoyment . " For these ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision