A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 57
Pagina 254
... rhythm may seem to be opposed to balance . Yet an analysis of rhythm shows it to be built upon the two fundamental esthetic forms , thematic repetition and balance . For what are the typical characteristics of rhythm ? Every rhythm is a ...
... rhythm may seem to be opposed to balance . Yet an analysis of rhythm shows it to be built upon the two fundamental esthetic forms , thematic repetition and balance . For what are the typical characteristics of rhythm ? Every rhythm is a ...
Pagina 255
... rhythm ; yet that evolution is distinct from rhythm can easily be seen . For in rhythm , unless combined with evolution , there is no obvious development , no tendency toward a goal . Rhythm is recurrence and bal- ance of systole and ...
... rhythm ; yet that evolution is distinct from rhythm can easily be seen . For in rhythm , unless combined with evolution , there is no obvious development , no tendency toward a goal . Rhythm is recurrence and bal- ance of systole and ...
Pagina 256
... rhythm , evolution is not itself necessarily rhythmical . In literature , the rhythm of prose and poetry overlies a development of meanings which does not itself have a quasi - mechanical character of rhythm ; the rhythm of time and ...
... rhythm , evolution is not itself necessarily rhythmical . In literature , the rhythm of prose and poetry overlies a development of meanings which does not itself have a quasi - mechanical character of rhythm ; the rhythm of time and ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision