A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 81
... romanticism asks of art , above all , the spontaneous and violent effusion of the affections , of love and hate , of ... romantics ) , what is the use of an art , rich in beautiful images , which , nevertheless , does not speak to the ...
... romanticism asks of art , above all , the spontaneous and violent effusion of the affections , of love and hate , of ... romantics ) , what is the use of an art , rich in beautiful images , which , nevertheless , does not speak to the ...
Pagina 567
... romanticism , 50 , 81-82 Rossetti , Christina , 249 , quoted , 342 Rossetti , Dante Gabriel , 241 Roualt , George , 25 , 30 , 33 Royce , Josiah , 4 , 8-10 ; quoted , 9 Ruskin , John , 206 Saintsbury , George , quoted , 242 Santayana ...
... romanticism , 50 , 81-82 Rossetti , Christina , 249 , quoted , 342 Rossetti , Dante Gabriel , 241 Roualt , George , 25 , 30 , 33 Royce , Josiah , 4 , 8-10 ; quoted , 9 Ruskin , John , 206 Saintsbury , George , quoted , 242 Santayana ...
Pagina 567
... romanticism , 50 , 81-82 sculpture , 100 , 376 , 381-382 , Rossetti , Christina , 249 , 394-395 quoted , 342 semblance , 463-464 , 466-467 , Rossetti , Dante Gabriel , 241 471-472 Roualt , George , 25 , 30 , 33 Semper , Gottfried , 361 ...
... romanticism , 50 , 81-82 sculpture , 100 , 376 , 381-382 , Rossetti , Christina , 249 , 394-395 quoted , 342 semblance , 463-464 , 466-467 , Rossetti , Dante Gabriel , 241 471-472 Roualt , George , 25 , 30 , 33 Semper , Gottfried , 361 ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision