A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 178
... satisfaction incompatible with enjoyment . We learn to value truth more and more as our love and knowledge of nature increase . But fidelity is a merit only because it is in this way a factor in our pleasure . It stands on a level with ...
... satisfaction incompatible with enjoyment . We learn to value truth more and more as our love and knowledge of nature increase . But fidelity is a merit only because it is in this way a factor in our pleasure . It stands on a level with ...
Pagina 258
... satisfaction of desire . If the content of a work of art is the symbol of a wish , so is the form . Aesthetic form is desirable form . This form is , moreover , not peculiar to art , but is , as Plato divined , merely the perfection of ...
... satisfaction of desire . If the content of a work of art is the symbol of a wish , so is the form . Aesthetic form is desirable form . This form is , moreover , not peculiar to art , but is , as Plato divined , merely the perfection of ...
Pagina 440
... satisfaction , but only under the pressure of heightened expectation - expectation as schooled and heightened by sufficient esthetic experience does art lift itself out of its " raw " state , make itself com- municable , and become what ...
... satisfaction , but only under the pressure of heightened expectation - expectation as schooled and heightened by sufficient esthetic experience does art lift itself out of its " raw " state , make itself com- municable , and become what ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision