A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 14
... scientific . It is a value - it has feeling - tone ; it is not " neutral " for all observers . It is the kind of blue that makes the heart leap up and kick over the traces . Before " blue , " as a concept , can become a descriptive term ...
... scientific . It is a value - it has feeling - tone ; it is not " neutral " for all observers . It is the kind of blue that makes the heart leap up and kick over the traces . Before " blue , " as a concept , can become a descriptive term ...
Pagina 137
... scientific thinking and novel - reading as well as poetry , and it is not secured by the order of the words but by an effort of concentration . Some people can " concentrate " on a difficult scientific book or a book of poetry in condi ...
... scientific thinking and novel - reading as well as poetry , and it is not secured by the order of the words but by an effort of concentration . Some people can " concentrate " on a difficult scientific book or a book of poetry in condi ...
Pagina 417
... scientific study of them must enable us to separate the accidental from the essential elements in the immediate reality which presents itself to our experience . Leaving on one side the problem presented by the physical sciences , where ...
... scientific study of them must enable us to separate the accidental from the essential elements in the immediate reality which presents itself to our experience . Leaving on one side the problem presented by the physical sciences , where ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision