A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 53
... sculpture , painting and architecture . We may say then , by way of general definition , that art is the manifesta- tion of emotion , obtaining external interpretation , now by expressive arrangements of line , form or color , now by a ...
... sculpture , painting and architecture . We may say then , by way of general definition , that art is the manifesta- tion of emotion , obtaining external interpretation , now by expressive arrangements of line , form or color , now by a ...
Pagina 369
... sculpture in the round , and relief - sculpture . Temporal distance , remoteness from us in point of time , though often a cause of misconceptions , has been declared to be a factor of considerable weight in our appreciation . It is not ...
... sculpture in the round , and relief - sculpture . Temporal distance , remoteness from us in point of time , though often a cause of misconceptions , has been declared to be a factor of considerable weight in our appreciation . It is not ...
Pagina 490
... sculpture to observe the physical laws of equipose or to evolve dynamic equivalents for the solid sculpture of the past by rotating a part of the object through space . " ( Editor's note . ) IAN MCHARG Design with Nature Thirty years ...
... sculpture to observe the physical laws of equipose or to evolve dynamic equivalents for the solid sculpture of the past by rotating a part of the object through space . " ( Editor's note . ) IAN MCHARG Design with Nature Thirty years ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision