A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 208
... seems incapable of ap- prehending what more is absolutely necessary to its realization . Beauty , he sees , is for the mind and in the mind . A physical thing , supposed unperceived and unfelt , cannot be said in the full sense to ...
... seems incapable of ap- prehending what more is absolutely necessary to its realization . Beauty , he sees , is for the mind and in the mind . A physical thing , supposed unperceived and unfelt , cannot be said in the full sense to ...
Pagina 249
... seems to lurk the secret of all . He said what he meant , but his meaning seems to beckon away beyond itself , or rather to expand into something boundless which is only focused in it ; something also which , we feel , would satisfy not ...
... seems to lurk the secret of all . He said what he meant , but his meaning seems to beckon away beyond itself , or rather to expand into something boundless which is only focused in it ; something also which , we feel , would satisfy not ...
Pagina 389
... seem complete , Yet if those charms too closely we define , Content to copy nature line for line , Our end is lost ... seems to carry some conviction . But what does it amount to , translated into plain speech ? Simply that the ideal ...
... seem complete , Yet if those charms too closely we define , Content to copy nature line for line , Our end is lost ... seems to carry some conviction . But what does it amount to , translated into plain speech ? Simply that the ideal ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision