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Pagina 74
Esthetic philosophy, for Croce, consists in explaining the nature of art as intuition,
and in contrasting art with sensation and the other stages of human activity.
Sensation is passive; art is active. Art is not mere passive perception or
daydreaming ...
Esthetic philosophy, for Croce, consists in explaining the nature of art as intuition,
and in contrasting art with sensation and the other stages of human activity.
Sensation is passive; art is active. Art is not mere passive perception or
daydreaming ...
Pagina 87
Intuition has sometimes been confused with simple sensation. But since this
confusion ends by being offensive to common sense, it has more frequently been
attenuated or concealed with a phraseology apparently designed at once to ...
Intuition has sometimes been confused with simple sensation. But since this
confusion ends by being offensive to common sense, it has more frequently been
attenuated or concealed with a phraseology apparently designed at once to ...
Pagina 88
If by representation be understood something cut off and standing out from the
psychic basis of the sensations, then representation is intuition. If, on the other
hand, it be conceived as complex sensation we are back once more in crude ...
If by representation be understood something cut off and standing out from the
psychic basis of the sensations, then representation is intuition. If, on the other
hand, it be conceived as complex sensation we are back once more in crude ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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