A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 87
... sensation , but not so much simple sensation as association of sensations . Here a double meaning is concealed in the word " association . " Association is understood , either as memory , mnemonic asso- ciation , conscious recollection ...
... sensation , but not so much simple sensation as association of sensations . Here a double meaning is concealed in the word " association . " Association is understood , either as memory , mnemonic asso- ciation , conscious recollection ...
Pagina 88
... sensations , then representation is intuition . If , on the other hand , it be conceived as complex sensation we are back once more in crude sensation , which does not vary in quality according to its richness or poverty , or according ...
... sensations , then representation is intuition . If , on the other hand , it be conceived as complex sensation we are back once more in crude sensation , which does not vary in quality according to its richness or poverty , or according ...
Pagina 457
An Anthology Melvin Miller Rader. should not have included the external sensations also when these are present . Actually , in any emotional reaction there is no clear separation of visual , auditory , or tactile sensations from the ...
An Anthology Melvin Miller Rader. should not have included the external sensations also when these are present . Actually , in any emotional reaction there is no clear separation of visual , auditory , or tactile sensations from the ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision