A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 3
... sense . Art imitates the universal ; it expresses the real , rid of irrelevancies and the disturbances of chance ; it exhibits the common designs of destiny ; it is in this sense more philosophical than history . Tragic characters are ...
... sense . Art imitates the universal ; it expresses the real , rid of irrelevancies and the disturbances of chance ; it exhibits the common designs of destiny ; it is in this sense more philosophical than history . Tragic characters are ...
Pagina 399
... sense we are " detached , " but not in the sense of failure to identify with the characters or to be totally absorbed in the drama . The term " disinterested " is also widely employed to describe the aes- thetic attitude ...
... sense we are " detached , " but not in the sense of failure to identify with the characters or to be totally absorbed in the drama . The term " disinterested " is also widely employed to describe the aes- thetic attitude ...
Pagina 476
... sense , and he sees his own reflection in a world which he has constructed . While , therefore , alienated labour ... sense of immediate , exclusive enjoyment , or only in the sense of possession or having . Man appropriates his manifold ...
... sense , and he sees his own reflection in a world which he has constructed . While , therefore , alienated labour ... sense of immediate , exclusive enjoyment , or only in the sense of possession or having . Man appropriates his manifold ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision