A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 204
... sensuous medium and the physical objects of nature . Although Bosanquet was an idealist , he believed that Croce's was a " false idealism " because it neglected the yearning of the creative imagination toward externalization and the ...
... sensuous medium and the physical objects of nature . Although Bosanquet was an idealist , he believed that Croce's was a " false idealism " because it neglected the yearning of the creative imagination toward externalization and the ...
Pagina 210
... sensuous , and sensuous in immediate connection with other physical properties and experiences . This applies both to music and to language . All this later argument of ours , starting from the importance of medium and technique , has ...
... sensuous , and sensuous in immediate connection with other physical properties and experiences . This applies both to music and to language . All this later argument of ours , starting from the importance of medium and technique , has ...
Pagina 215
... Sensuous Elements and Esthetic Orders What is the language of esthetics ? What are its nouns or terms ? What are their adjectives or relations ? If ... sensuous David Wight Prall 215 David Wight Prall: Sensuous Elements and Esthetic Orders.
... Sensuous Elements and Esthetic Orders What is the language of esthetics ? What are its nouns or terms ? What are their adjectives or relations ? If ... sensuous David Wight Prall 215 David Wight Prall: Sensuous Elements and Esthetic Orders.
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision