A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 252
... shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed . In architec- ture , each style has its characteristic shape ...
... shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed . In architec- ture , each style has its characteristic shape ...
Pagina 287
... shape . Perhaps the easiest way to grasp the idea of " logical form " is to trace its derivation . Let us consider the most obvious sort of form , the shape of an object , say a lampshade . In any department store you will find a wide ...
... shape . Perhaps the easiest way to grasp the idea of " logical form " is to trace its derivation . Let us consider the most obvious sort of form , the shape of an object , say a lampshade . In any department store you will find a wide ...
Pagina 288
... shapes ; their parts remain in fairly stable relations to each other . But there are also substances that have no definite shapes , such as gases , mists , and water , which take the shape of any bounded space that contains them . The ...
... shapes ; their parts remain in fairly stable relations to each other . But there are also substances that have no definite shapes , such as gases , mists , and water , which take the shape of any bounded space that contains them . The ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision