A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 232
... significance is unrelated to the significance of life . In this world the emotions of life find no place . It is a world with emotions of its own . To appreciate a work of art we need bring with us nothing but a sense of form and color ...
... significance is unrelated to the significance of life . In this world the emotions of life find no place . It is a world with emotions of its own . To appreciate a work of art we need bring with us nothing but a sense of form and color ...
Pagina 233
... significance of its own and no relation whatever to the significance of life ; and in those moments I lose myself in that infinitely sublime state of mind to which pure visual form transports me . How inferior is my normal state of mind ...
... significance of its own and no relation whatever to the significance of life ; and in those moments I lose myself in that infinitely sublime state of mind to which pure visual form transports me . How inferior is my normal state of mind ...
Pagina 236
... significance as a means , he has felt its significance as an end in itself ? . . . But if an object considered as an end in itself moves us more profoundly ( i.e. , has greater significance ) than the same object considered as a means ...
... significance as a means , he has felt its significance as an end in itself ? . . . But if an object considered as an end in itself moves us more profoundly ( i.e. , has greater significance ) than the same object considered as a means ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision