A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 228
... Significant Form " ; and " Significant Form " is the one quality common to all works of visual art . At this point it may be objected that I am making esthetics a purely subjective business , since my only data are personal experiences ...
... Significant Form " ; and " Significant Form " is the one quality common to all works of visual art . At this point it may be objected that I am making esthetics a purely subjective business , since my only data are personal experiences ...
Pagina 229
... significant form , is the function of criticism . But it is useless for a critic to tell me that some- thing is a work of art ; he must make me feel it for myself . This he can do only by making me see ; he must get at my emotions ...
... significant form , is the function of criticism . But it is useless for a critic to tell me that some- thing is a work of art ; he must make me feel it for myself . This he can do only by making me see ; he must get at my emotions ...
Pagina 235
... significance of form , is raised above the accidents of time and place . To him the problems of archaeology , history , and hagiography are imperti- nent . If the forms of a work are significant its provenance is irrelevant . Before the ...
... significance of form , is raised above the accidents of time and place . To him the problems of archaeology , history , and hagiography are imperti- nent . If the forms of a work are significant its provenance is irrelevant . Before the ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision