A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 101
... similar to a dream ( Apollo is the god of dreams ) . Man creates in his waking dreams a world of tranquillity and formal beauty , embodied especially in sculpture , architecture , painting , and the more chaste types of literature . The ...
... similar to a dream ( Apollo is the god of dreams ) . Man creates in his waking dreams a world of tranquillity and formal beauty , embodied especially in sculpture , architecture , painting , and the more chaste types of literature . The ...
Pagina 139
... similar fondness for bad novels on the part of so many great poets . This difference between the technique of poetry and the novel determines the difference between the spheres of the two arts . § 2 What is the basis of literary art ...
... similar fondness for bad novels on the part of so many great poets . This difference between the technique of poetry and the novel determines the difference between the spheres of the two arts . § 2 What is the basis of literary art ...
Pagina 279
... similar in architecture , sculpture , and painting , in other periods , for example , the Carolingian , the early Romanesque , and the modern , these arts differ in essential respects . In England , the drawing and painting of the tenth ...
... similar in architecture , sculpture , and painting , in other periods , for example , the Carolingian , the early Romanesque , and the modern , these arts differ in essential respects . In England , the drawing and painting of the tenth ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision