A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 48
... simple . For concepts , like pic- tures , cannot be true or false . They can only be more or less useful for the formation of descriptions . The words of a language , like pictorial formulas , pick out from the flux of events a few ...
... simple . For concepts , like pic- tures , cannot be true or false . They can only be more or less useful for the formation of descriptions . The words of a language , like pictorial formulas , pick out from the flux of events a few ...
Pagina 86
... simple and primitive functions , are nowadays conceived as intellectual constructions of great complexity . And further , even in some of those who do not altogether deny to space and time the quality of formative principles ...
... simple and primitive functions , are nowadays conceived as intellectual constructions of great complexity . And further , even in some of those who do not altogether deny to space and time the quality of formative principles ...
Pagina 269
... simple organization . As the South Sea Islanders have added a variety to the human form by tattooing , so the cunning artisans of Greece undertook to go beyond perfection . Many rhetoricians and skilled grammarians refined upon the ...
... simple organization . As the South Sea Islanders have added a variety to the human form by tattooing , so the cunning artisans of Greece undertook to go beyond perfection . Many rhetoricians and skilled grammarians refined upon the ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision