A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 92
... simply as expres- sion , is not addressed to any particular audience . It is addressed primarily to the speaker himself , and secondarily to any one who can understand . Here again , the speaker's attitude towards his audience is quite ...
... simply as expres- sion , is not addressed to any particular audience . It is addressed primarily to the speaker himself , and secondarily to any one who can understand . Here again , the speaker's attitude towards his audience is quite ...
Pagina 425
... simply referring to a water - color by Demuth representing two chimneys . To give the name of something , except when one is answering a question , is not to say anything . It is an old story in elementary courses in logic that our ...
... simply referring to a water - color by Demuth representing two chimneys . To give the name of something , except when one is answering a question , is not to say anything . It is an old story in elementary courses in logic that our ...
Pagina 432
... simply the cathedral of Rouen seen on a sunny day at noon , but the cathedral seen by such and such a person in his own way , with all his devotion or hatred for it externalized , in frag- ments , if necessary , as his mind turns from ...
... simply the cathedral of Rouen seen on a sunny day at noon , but the cathedral seen by such and such a person in his own way , with all his devotion or hatred for it externalized , in frag- ments , if necessary , as his mind turns from ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision