A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Risultati 1-3 di 49
Pagina 450
... situation to a solution in the future and escapes from the present . It also leads to analysis of the situation , in search for the means of solution , and the devivifying effect of analysis we have already brought out . These then ...
... situation to a solution in the future and escapes from the present . It also leads to analysis of the situation , in search for the means of solution , and the devivifying effect of analysis we have already brought out . These then ...
Pagina 451
... situation . It appears further that the two columns are correlative to each other . There is no such thing as a situation having a quality without interrelated details to make it up . And there is no such thing as an analysis of details ...
... situation . It appears further that the two columns are correlative to each other . There is no such thing as a situation having a quality without interrelated details to make it up . And there is no such thing as an analysis of details ...
Pagina 453
... situation and seek means to get out of it . A voluntary intuition of vivid quality is either pleasant or finds something so satisfying in the situation that it absorbs the pain . But if one wants to get at the particular force of ...
... situation and seek means to get out of it . A voluntary intuition of vivid quality is either pleasant or finds something so satisfying in the situation that it absorbs the pain . But if one wants to get at the particular force of ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision