A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 140
... social ego which ages of art have built up ; ( b ) is general , is not a contradictory item of experience peculiar ... social rela- tions of that age . For the experience of men in general is determined in general by the social relations ...
... social ego which ages of art have built up ; ( b ) is general , is not a contradictory item of experience peculiar ... social rela- tions of that age . For the experience of men in general is determined in general by the social relations ...
Pagina 420
... social group ( a group which , in most cases , assumes the existence of a social class ) and which opposes them to members of other social groups . This is certainly a highly schematic view , an extrapolation made by the historian for ...
... social group ( a group which , in most cases , assumes the existence of a social class ) and which opposes them to members of other social groups . This is certainly a highly schematic view , an extrapolation made by the historian for ...
Pagina 462
An Anthology Melvin Miller Rader. life determines the social , political , and intellectual life processes in general . It is not the consciousness of men that determines their being , but , on the contrary , their social being that ...
An Anthology Melvin Miller Rader. life determines the social , political , and intellectual life processes in general . It is not the consciousness of men that determines their being , but , on the contrary , their social being that ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision