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Pagina 140
Since the mediating factor in art processes is the social ego in its relation to the
experience of individuals, it is plain that the integration performed by the art-work
can only be achieved on condition that the item of private experience which is ...
Since the mediating factor in art processes is the social ego in its relation to the
experience of individuals, it is plain that the integration performed by the art-work
can only be achieved on condition that the item of private experience which is ...
Pagina 420
towards maintaining the present social structure unchanged. Each class will then
express its desire for change — or for permanence — by a complete vision both
of what the man of the present day is, with his qualities and failings, and of what ...
towards maintaining the present social structure unchanged. Each class will then
express its desire for change — or for permanence — by a complete vision both
of what the man of the present day is, with his qualities and failings, and of what ...
Pagina 473
life determines the social, political, and intellectual life processes in general. It is
not the consciousness of men that determines their being, but, on the contrary,
their social being that determines their consciousness. At a certain stage of their ...
life determines the social, political, and intellectual life processes in general. It is
not the consciousness of men that determines their being, but, on the contrary,
their social being that determines their consciousness. At a certain stage of their ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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