A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 82
... soul assumes ; and we call this life , unity , solidity of the work of art . What displeases us in the false and imperfect forms is the strug- gle of several different states of the soul not yet unified , their stratification , or ...
... soul assumes ; and we call this life , unity , solidity of the work of art . What displeases us in the false and imperfect forms is the strug- gle of several different states of the soul not yet unified , their stratification , or ...
Pagina 170
... soul . But the soul would wither with- out fertilization from its transient experiences . The secret of the higher organisms lies in their two grades of permanences . By this means the freshness of the environment is absorbed into the ...
... soul . But the soul would wither with- out fertilization from its transient experiences . The secret of the higher organisms lies in their two grades of permanences . By this means the freshness of the environment is absorbed into the ...
Pagina 210
... soul , where the soul is a feeling , and the body its expression , without residue on either side . -Three Lectures on Esthetic ( 1915 ) NOTES 1. What Bosanquet means by " feeling " and by " body - and - mind , " terms which appear ...
... soul , where the soul is a feeling , and the body its expression , without residue on either side . -Three Lectures on Esthetic ( 1915 ) NOTES 1. What Bosanquet means by " feeling " and by " body - and - mind , " terms which appear ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision