A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 216
... sound and color to see what we can discover in them that will explain , namely , make intelligible , the structures of music and painting . What we do find are non - numerical , non - spatial , non - temporal serial relations ...
... sound and color to see what we can discover in them that will explain , namely , make intelligible , the structures of music and painting . What we do find are non - numerical , non - spatial , non - temporal serial relations ...
Pagina 217
... sound can be removed from this given pitch order . Nor can anything enter this order except sounds . By virtue of being what we call a single sound , a note has to be at a particular pitch ; and to be at a particular pitch is to be at a ...
... sound can be removed from this given pitch order . Nor can anything enter this order except sounds . By virtue of being what we call a single sound , a note has to be at a particular pitch ; and to be at a particular pitch is to be at a ...
Pagina 334
... sound by turns , but in reality the way they are put together makes another new whole , which cannot be reduced to its component parts . A sound movie is not a silent film embellished with words and sounds whose only function is to ...
... sound by turns , but in reality the way they are put together makes another new whole , which cannot be reduced to its component parts . A sound movie is not a silent film embellished with words and sounds whose only function is to ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision